In the bottom-right, click the Presets menu and select Patterns. It’s time to see some of its more elaborate setups. We’ve given you the initial tour of Gross Beat’s time-bending capabilities, and you should be able to figure out how to get some basic setups going. Actually, because Gross Beat is constantly playing back what happened four beats ago, you don’t hear anything until the fifth bar, at which point you finally hear the start of your audio loop. When you restart playback, you don’t hear anything. Stop playback, and try setting up the grid so there’s just a horizontal line at the -4 point (as shown below) The result is the first beat, played four times until the cycle restarts after four beats. With this shape, the first beat is the correct time, the second beat actually plays what happened one beat back in time (ie, the first beat), the third beat actually plays what happened two beats back in time (ie, the first beat), and the fourth beat actually plays what happened three beats ago (ie the first beat). However, by lowering a grid line, Gross Beat will actually play back an earlier part of the loop that it heard. So what’s actually going on here? As the loop starts to play back, Gross Beat listens to it and lets it through. We’ve got 1/4 selected to create this shape. Now create more nodes to arrive at the shape shown below.īy selecting one of the numbered buttons to the left of the grid, you can ensure the nodes snap to the grid lines. Reset that node’s curve type to Hold by right-clicking it. Each type of stepped shape replays the first portion of the cycle for a different length and a different number of times. Now change the node to a Stairs type, and experiment dragging the middle circle to set different step sizes to that shape. We’re just scratching the surface right now, but there’s plenty more that we can do with this sort of effect later on. This gives us a time-bending effect that’s a lot like scratching a vinyl record. Select Single Curve, and drag the circle that appears halfway down the line until you have a similar shape to ours below. Next, right-click on the middle node, and it’s possible to select a different shape for the line that comes before it. In other words, it’ll play the first two beats of the bar twice. But for the second two beats, when the line is moved to the -2 position, it will actually play the previous two beats. When you press play, Gross Beat will play the first two beats of the bar as usual, following the line’s position at the top. Drag it down to the same -2 line, so you have the setup shown below. There’s also a node on the right-hand side of that line. Left-click and drag this node two big grid lines down, to the -2 line, where it’ll meet the diagonal line. Right-click in the center of that line and you’ll create a new node on it. Right now, the green line is running straight across the top of the grid, meaning that absolutely nothing is changed about our signal. The action starts by shaping the green line over the main grid. It’s in its default state, and it’s not making any changes to the audio. Let’s not waste time – we’ll dive right in at the deep end. You can do this tutorial using the FL Studio Gross Beat version, or using the plugin version in your DAW.Ībove is the screen you’ll see when you load up the Gross Beat VST from your plugin browser. Also ensure that the beat sample’s tempo conforms to the tempo set in your DAW – otherwise, GrossBeat won’t be able to do its thing properly. To start, load a drum beat into your DAW and make sure playback is looped to repeat it. – VSTs Like Gross Beat Getting Started with Gross Beat Luckily, whether you’re using the Gross Beat FL Studio version or loading the Gross Beat Plugin in another DAW, the setup is exactly the same. The plugin might look intimidating to beginners, or hard to pin down when loading it for the first time, but this guide will show you exact how to use Gross Beat from the start, and will even cover some alternative plugins for users with lower budgets or those on a Mac. This PC-only VST effect plugin takes control of a signal’s time and level in a rhythmic way, giving you innovative, radical, and most importantly, musical control over your signals, giving you truly ‘Gross Beats’, or ‘Gross Anything Else’, for that matter. There are a lot of plugins out there, but few have changed the production landscape as much as Image-Line’s Gross Beat. What Is Gross Beat And How To Use It – a Guide
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